Arama They Didn't

10:12 am - 02/24/2012

Overkill Could Damage Korean Wave, Oricon Chief Warns



A senior figure in the Japanese entertainment industry has warned against the flood of Korean singers, manufactured bands and actors who rush to perform in Tokyo, which has become something of a rite of passage for entertainers who made it in Korea. "I'm afraid that the rotation of Korean acts [through Japan] is too fast," said Koh Koike, the CEO of Japan's Oricon, which supplies statistics and information on music and the music industry.

The Oricon chart has become something of a Bible for Korean musicians. Established in 1967 and using album sales data collected from around 26,000 music stores across Japan to come up with daily, weekly and monthly rankings, it is a highly respected barometer of Japan's entertainment industry, comparable to the Billboard Top 100 Chart in the U.S.

Koike made the remarks in Korea, where he attended the first Gaon Charts K-Pop Awards on Wednesday. His advice paints a less-than-rosy picture of the future of K-Pop in Japan. "Right now, there is a fan base for K-Pop due to the physical appeal of groups like Girls' Generation or Kara, but I think what will matter in the future is the variety of music that Korean singers are able to offer," he said. "Korean singers who have recently become popular in Japan tend to stay in the country briefly and tour only major cities, but this won't help them win broad popularity there," he added. "The precedents set by leaders Dongbangshingi (TVXQ), Girls' Generation and Kara are very important for other Korean singers in Japan. If their album sales fall, this could impact other Korean singers as well, and that would lead to the perception that their popularity was just a flash in the pan."


He said the polished image and strong fan base are the main reasons for the success of Korean acts on the Oricon chart.

"Korean acts who did well on the Oricon chart have unique visual concepts and their singing and dancing skills are outstanding," Koike said. "Many fans find out about them from the Internet even before their Japanese debut, so they get a huge welcome."

Asked about the abrupt cancellation of an advertising campaign in Japan featuring Korean actress Kim Tae-hee due to anti-Korean sentiment, Koike said, "That sentiment is being expressed by only a small group of people. I think that Kim Tae-hee's side may have overreacted to the negative opinions. Most Japanese people do not express opinions. They just like K-Pop and Korean TV dramas."


Source: asianfanatics
baboona 24th-Feb-2012 07:05 pm (UTC)
good
queencrystallia 24th-Feb-2012 07:46 pm (UTC)
+1
rim1789 24th-Feb-2012 07:09 pm (UTC)
''Many fans find out about them from the Internet even before their Japanese debut" which is why they should come up with original song in japanese if they really want to sing in the language. Not simply give a Japanese version of a song.

Especially since most of the time, it's really disappointing.

Edited at 2012-02-24 07:10 pm (UTC)
jadedshock 24th-Feb-2012 07:13 pm (UTC)
Isn't Bigbang's "Beautiful Hangover" an original Japanese-written song?

I actually think that's their best tune haha.
peachie_ego 24th-Feb-2012 07:41 pm (UTC)
Oh please! Spare me! Most of you would still complain if they did debut with original songs.

For the umpteenth time, there is nothing wrong with re-releasing old material in another language. BoA and Toho did it way before the new wave hit yet no one complained or even cared. Hell Hikki did the same for Hikari and Passion and put it on This is the One.

Since we're on the subject, I'd honestly like to see more Jpop artists speak different languages when they go to different countries to promote their material and without the accents.
cruel_idol 24th-Feb-2012 07:19 pm (UTC)
I think SMTown learned a thing or two from that BoA American release.

I saw Girls Generation on David Letterman I was like....THEY ARE TAKING OVER?!?!

Though, I wish they had performed on Jimmy Fallon or Jimmy Kimmel since a lot of their target demographic watches that as well. But appearing on Letterman makes you accessible to all demos.
sheix0 24th-Feb-2012 08:08 pm (UTC)
Yeah but I don't think one show on Letterman is "taking over". I mean it get their name out there but most people don't know them or didn't take them seriously. Beside appearing on couple of shows, without any real backing promotions they won't get far.
bishieaddict 24th-Feb-2012 07:27 pm (UTC)
Super junior doesn't even try that hard in Japan....
smilepi 24th-Feb-2012 08:13 pm (UTC)
Everything this guy said, I've heard already, but I like his balanced point of view. ^^

Edited at 2012-02-24 08:13 pm (UTC)
annhh 24th-Feb-2012 08:24 pm (UTC)
+1

learned nothing new. nice conversation starter though
sergel02 24th-Feb-2012 09:27 pm (UTC)
Yups +2

Nothing new, but he said it respectfully and fairly, like a pro.
cruel_idol 24th-Feb-2012 08:16 pm (UTC)
The only two songs I've heard a Japanese group/singer sing in both Japanese and English is Every You (Donna Li Koto) by SMAP and 1000 Words by Kumi Koda, to me they did a good job with the English version though I like both.

It helps me understand the song better, but I am going to try to learn Japanese so I can learn to appreciate the original songs.
yasmine2009 25th-Feb-2012 04:19 am (UTC)
Koda didn't sing an English version for 1000 words, did she? I thought it was just Jade who did it.
eishastan 24th-Feb-2012 09:12 pm (UTC)
omg this is brand new info!!

We all already knew this was going to happen, we just have to see the sales and see that from the new wave only Kara and SNSD are doing really good, the rest is doing ok or flopping hard.

They saturated the market, they all tought that they were going to do as good as Kara and SNSD, but they didn't.
asweetsymphony 24th-Feb-2012 09:18 pm (UTC)
At least it's a neutral perspective on the issue. I hate the overly blatant ones that talks about domination or failure.
sergel02 24th-Feb-2012 09:28 pm (UTC)
+1000
sergel02 24th-Feb-2012 09:31 pm (UTC)
It seems like ppl are realizing this. I've noticed more kpop acts now not focusing on much in Japan as they used to (like ya know, a year ago). It seems Korean Companies realize they would rather have their singers stay in their country. Its getting harder to find album songs and live performances because companies take them faster now. Plus, tbh, some groups probably make more money in Korea than in Japan. I think for a few groups like The Boss, U-kiss, Rainbow, and a couple others, Japan is a better market for them, but not really all.

I just think kpop in Japan is nice for them since the fans seem calmer and the media isn't all up in yo face.
icehism 24th-Feb-2012 09:49 pm (UTC)
kpop in japan has its niche but it seems to have already died down quite a bit compared to last year. Most new releases are doing very poorly in japan with exceptions being dbsk, snsd, and kara.
ohprecioustime 24th-Feb-2012 11:20 pm (UTC)
IA

its all high number for their debut buzz,then flopping

they already killed,dude is late
brucelynn 24th-Feb-2012 10:53 pm (UTC)
Too Late tbh
fayoochun 25th-Feb-2012 04:13 am (UTC)
kpop is overrated
e_namor 26th-Feb-2012 11:06 am (UTC)
+2000
arashic5 25th-Feb-2012 04:17 am (UTC)
All of them except KARA should stay in korea imo
yoyokimono 25th-Feb-2012 04:48 am (UTC)
you don't see American singers translating their songs into another country's language... nor do you see Japanese singer doing the same.... that's because they're popular as it and can strive anywhere
mjspice 25th-Feb-2012 11:40 am (UTC)
Oops.
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