Arama They Didn't

2:00 am - 12/19/2012

Johnny Kitagawa, Japanese Music Legend, Speaks Out



Imagine a music landscape dominated by just one individual—an all-powerful Svengali who, for more than 45 years, has held a virtual monopoly on male pop groups, producing a world-record-holding 289 No. 1 hits, 35 chart-topping acts, and, in the past decade alone, 8,419 concerts. He rarely appears in media, and yet his power over the press has left them kowtowing to his demands for decades. His reclusive character is revered and feared in equal parts by an entire Japanese music industry. Welcome to the world of Johnny Kitagawa.

His story reads like a myth. Born the son of a Buddhist priest in Los Angeles in 1931, John Hiromu Kitagawa left America for Japan after the outbreak of the war in the Pacific, not returning until the late 1940s. Kitagawa later served with the U.S. Army, teaching English to orphans during the Korean War. “Although Japan was suffering, Korea was suffering even more,” he recalls sadly.


In the 1950s, Kitagawa moved to Yoyogi, Tokyo, where—after taking four members of a local baseball team to see the movie West Side Story—he conceived of a plan novel at the time: a music act made up of good-looking men who could dance and sing simultaneously. He shaped the athletes into Japan’s first boy band, The Johnnies. They would become the model for the country’s entire music industry to this day.

“I had started in an era when boys, male talents, did not sing and dance in Japan,” says Kitagawa, in his first-ever exclusive interview. “That was a challenge, and it became a unique spot in the entertainment world, something unprecedented.”

Kitagawa’s acts—such as SMAP, Arashi, and KAT-TUN—have become so ubiquitous across all forms of Japanese entertainment that seemingly no TV channel, brand, or company could be complete without their endorsement. His hit-making formula has been replicated across Asia. Yet Kitagawa is surprisingly humble and generous, traits that few in the industry expect of the shadowy kingmaker. “I believe the spotlight should be on the stars; my role is to help them glow,” he says of his ability to remain eternally elusive. Though he holds three Guinness records, he remarks, “This is a team effort. I personally tend to forget all these numbers so I also thank those who actually keep record!”

He also downplays the topic of his own legacy. “My only wish is for my acts and their entertainment to be remembered for what they are,” he says, adding proudly, “Nobody at Johnny’s was made into a star just because he was good-looking. They look cool because they do something cool.”

Kitagawa’s success has been achieved despite a seemingly anti-PR strategy—images of his groups do not appear on the company website, and are virtually never published unless on official merchandise. Yet it’s proven to be a fruitful recipe. His most successful act, SMAP—a quintet whose ages all now hover around 40—owe their fame to Kitagawa’s strategy of placing them on variety and comedy shows, extending their appeal beyond their looks or songs.

“I believe entertainment sheds light on people’s lives more than we realize [and] should be able to breathe the changing seasons of people’s moods,” Kitagawa says. To ensure his acts remain in vogue, he pioneered another key component of the Asian music industries—the fan club. With more than 2.5 million members of “Johnny’s Family Club,” Kitagawa can ensure that his stable of 500 artists have a built-in fan base.

Kitagawa’s career, though luminous, has not been without incident. In 1988 a former member of his group Four Leaves published graphic details of alleged sexual activities between the staff and some of the young boys in Johnny’s & Associates, Kitagawa’s production agency. An April 2000 National Police Agency investigation eventually exonerated Kitagawa. His latest challenge is the rise of Korean K-Pop. “I feel Japan has become numb [faced with the] competition and I try to make my acts acknowledge this,” he says.

Kitagawa’s latest production—fittingly titled Johnny’s World—features a mammoth cast of boys of all ages, including latest popular groups Hey! Say! JUMP!, Kis-My-Ft2, and Sexy Zone. The musical includes an onstage replica of the Hindenburg airship, a Titanic sequence, and a full-flowing waterfall appearing centerstage, and weaves in Japanese cultural history during tightly choreographed dance routines in which performers fly out over the audience. It’s a pulsating medley that seems to include all of Las Vegas’s shows in one, and is a nod to Kitagawa’s ambition to take a production to Las Vegas himself one day. “To write, cast, and produce each concert at this age is not easy,” he says, “but I enjoy every moment of it.”

The Daily Beast / Newsweek
kazuninomi 19th-Dec-2012 03:35 pm (UTC)
Nobody at Johnny’s was made into a star just because he was good-looking They look cool because they do something cool.”

+100000000
beautiful words

i want all Johnny's haters to understand it^^


benihime99 19th-Dec-2012 05:07 pm (UTC)
some yes some no, imo

Edited at 2012-12-19 05:11 pm (UTC)
yaoilicious_53 19th-Dec-2012 03:46 pm (UTC)
2.5 million members of “Johnny’s Family Club"?
I thought it would have more members. I mean, Arashi's fanclub alone is over 1 million.
unbroken_glass 19th-Dec-2012 03:49 pm (UTC)
Maybe since You&J was dissolved they didn't count those fans? Idk if they have made the new fanclubs? do you know the official numbers for Arashi's fanclub? :O
subarunee 19th-Dec-2012 04:15 pm (UTC)
"Jyanizu wa kao ga kakkoi kara,kakkoi wake jyanai. Akurobato ya,iroiro na paafoomansu wo surukara,KAKKOI" Johnny's quote that i love...

And about the numbers his produced,if only he make more concert or live or event outside Japan,the numbers will increasing a lot~
tousan_yamete 3rd-Jan-2013 10:18 am (UTC)
wow ur so kakoii
haruno21 19th-Dec-2012 04:31 pm (UTC)
I can say he is good as business man but no, nothing will make me have sympathy for the crepper. sorry~
sekainostar 19th-Dec-2012 04:32 pm (UTC)
A+
2coco 19th-Dec-2012 04:54 pm (UTC)
His latest challenge is the rise of Korean K-Pop. “I feel Japan has become numb [faced with the] competition and I try to make my acts acknowledge this,” he says.

Old man, you need to do more than just speaking about it with words. K-pop is eating up the market share of your pie and they're global while you're not. Bringing Johnny's World to Vegas is not the answer.
2coco 19th-Dec-2012 05:01 pm (UTC)

oh and one more thing: Jin was your only push to the US and now you suspend him...for what...because he's married...boooooooooooo...your mindset is still stuck in the 50's..
benihime99 19th-Dec-2012 05:14 pm (UTC)
He's a very sucessful man and all but I would love to see some change in JE business strategy: like using youtube full potential or acknowledging international fans.
I know JE is fine with the japanese market since it's so big and they get enough money but it would be nice to see them do a world tour or somethiing
phantomthief94 19th-Dec-2012 07:00 pm (UTC)
Yeah! World tour!!
crimsonbreeze 19th-Dec-2012 06:34 pm (UTC)
“Nobody at Johnny’s was made into a star just because he was good-looking. They look cool because they do something cool.”

While I hate some of the guys in some groups, I definitely agree with this. To me, an idol is not a person that is beautiful, or sings beautifully, or dances gracefully. An idol is someone who has an easy way to make me smile, whether it is with a beautiful face, wonderful voice, amazing dance, or just a lame joke.
shirasaki07 4th-Jan-2013 08:55 am (UTC)
^THIS! :)
hadashi_no_eden 19th-Dec-2012 07:20 pm (UTC)
I admire him as a business man but it is time for JE to join the 21st century.
citrine047 19th-Dec-2012 10:42 pm (UTC)
it is time for JE to join the 21st century
lol, this!
xanithofdragons 19th-Dec-2012 11:23 pm (UTC)
A lot of the points in this article seem kinda outdated...
kamelover101 20th-Dec-2012 01:44 am (UTC)
Having a monopoly over music is disgusting tbqh. Its his fault if any that Jpop died internationally.
tomoeicemaiden 20th-Dec-2012 06:06 am (UTC)
This.
stole_away 20th-Dec-2012 02:05 am (UTC)
he is a good businessman, please expand globally, would like to attend a K8, Arashi and kinki kids concert.
michi_chelle 20th-Dec-2012 03:48 am (UTC)
“Nobody at Johnny’s was made into a star just because he was good-looking. They look cool because they do something cool.”

Totally agree with this. They can be an idol for years because of what they did. If they just rely on good looking but did nothing great I think, they won't succeed.

lady_mercury 20th-Dec-2012 06:25 am (UTC)
“Nobody at Johnny’s was made into a star just because he was good-looking. They look cool because they do something cool.”

lol ok w/e u say
kamelover101 20th-Dec-2012 06:34 am (UTC)
Yamapi begs to disagree lol.
delicious_pocky 20th-Dec-2012 07:21 am (UTC)
totes cute how they gloss over all the rape allegations (especially the fact johnny himself is directly tied to it).
harukakamiya 20th-Dec-2012 08:17 am (UTC)
ikr
ohprecioustime 20th-Dec-2012 12:01 pm (UTC)
ew,the worst thing to occur to Japanese music industry since...well nothing JE is the bottom of the barrel
izumi_ixa 20th-Dec-2012 01:29 pm (UTC)
“I believe entertainment sheds light on people’s lives more than we realize [and] should be able to breathe the changing seasons of people’s moods,” Kitagawa says.

And He's right ^^ (about that topic).
willytillyfilly 2nd-Jan-2013 04:29 am (UTC)
I'm surprised by the lack of comments here in regards to his pedophilia accusations.
flo_century 2nd-Jan-2013 10:21 am (UTC)
“Nobody at Johnny’s was made into a star just because he was good-looking. They look cool because they do something cool.”

i like this.. :)
This page was loaded Dec 26th 2014, 3:01 am GMT.